Lisa Call – Markings series exhibit

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Lisa Call with her work Markings 22 and Markings 11

To me, one of the most enlightening experiences for an artist is to understand how other artists think and work. Not only is it interesting to hear how they got where they are today, but it’s often amazing to see how the simplest of ideas can blossom into an entire body of work.

I’m fairly certain there is no one reading my blog who isn’t familiar with Lisa Call’s work. I’ve known her for many years, since the Nancy Crow classes we both went to. It was at about this time that Lisa began working on her Structures series, which is now close to numbering over one hundred works. Having been in two critique groups with her, I’ve seen this series evolve over the years, and it’s just amazing to me how many different variations she’s come up with in pursuing her idea. I think she’s got quite a few more ideas still to go.

Lisa’s latest series, called Markings, is now on display at the Macky Auditorium Gallery in Boulder, Colorado, through March 19. If you get a chance to see this exhibit, I highly recommend it as both a visual treat and an educational experience. Lisa gave an artist’s talk last Saturday explaining where the idea for the Markings series began – as drawn lines and cross hatchings done while she was in meetings at work. The creative mind never rests!

The exhibit shows how this one idea became the catalyst for a multitude of compositions, varying in size, color, and complexity, each one unique yet clearly asserting its relationship to the others. To see these works in person is very different from in a photo, where you do not get the rich sense of texture that’s created by the very closely spaced quilting lines in each piece. My favorite is Markings #7, a virtuoso performance in color and craftsmanship. You can see an image of the quilt and read Lisa’s statement about it here.

February 25th, 2008|Miscellaneous|2 Comments

“How long did that take you?”

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Edifice Complex, 37 x 59 inches, © 2005

My good friend Carol Krueger mentioned the above question in an e-mail conversation the other day, repeating something she had overheard at SOFA Chicago this past November. The speaker went on to say that it seems that this is what Americans always want to know – not what influenced or inspired the artist, as people from other countries might ask, but just how much time did you put into it.

This struck a chord with me, for this is without fail the number one question I am asked whenever the subject of my art comes up with strangers at a show reception or people I know from some other context, such as relatives or co-workers. I try to see it in a positive way, telling myself that this person is taking an interest in my work and just wants to strike up a friendly conversation. But no matter how many times it happens, I’m still taken by surprise. I struggle for an answer, saying that I don’t really know because I work on multiple pieces at one time and don’t track minutes spent on any single one.

The truth is though, that I do find that question just a bit odd. I think however well-intentioned, it tends to devalue the work, making it all about the time spent, as though I could have spent the same amount of time doing anything else at all, even clipping coupons, and derived the same amount of satisfaction out of it. No thought of all the time spent over the years honing my skills and perfecting my technique and doing the unfun stuff like entering shows and making portfolios and other marketing stuff.

Edifice Complex is one of my personal favorites. I like the subtlety of the color scheme and the simplicity of the composition. This one took me a very long time because I put a lot of piecing into the top and did a lot of extra stitching for the texture.

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Edifice Complex (detail)
February 11th, 2008|Miscellaneous|18 Comments

The joys of Web browsers and CSS styles

To everyone who commented about my margins being messed up: I think the problem is fixed now (please let me know if not). It was something that only showed up on Internet Explorer for Windows, as far as I could tell. Since I use a Mac, I was blissfully unaware of the problem until you pointed it out to me, so thank you! It was something that was created by my attempts to left-align the images, because I don’t like how they look when they get centered if they’re narrower than the full width of the post column. But I wasted an entire morning trying to figure this out, so I’m just going to leave the evil centering for the time being so I can get some studio time today. If anyone knows how to left-align an image without breaking the display in IE for Windows, let me know!

February 9th, 2008|Miscellaneous|Comments Off on The joys of Web browsers and CSS styles