Exhibitions – Page 5 – Deidre Adams

Contemporary Takes on Traditional Patterns

Progress?, 20 x 24 inches, acrylic paint on stitched textile, ©2014

Contemporary Takes on Traditional Patterns is an exhibition at the Denver Art Museum on view through March 22, 2015. Curated by Judith Trager, a Colorado artist/teacher and well-known expert and advocate for fiber arts, this special “mini-exhibition” consists of smaller works by 10 contemporary artists designed to bring the past and present together as a complement to the larger First Glance/Second Look exhibition featuring 20 quilts from the Museum’s collection.

My piece Progress? was made to complement the “Ordered Chaos” category of the larger exhibition, which features crazy quilts from the late 19th century. My artist statement:

“My work often uses the concepts of time and external forces as a creative starting point. In this piece, I’m exploring the concepts of entropy, decay, and dissipation as applied to a traditional quilting motif, the half-square triangle. When done in dark and light values, this motif is sometimes called Sunshine and Shadows. It recalls the ancient Chinese concept of the dynamic interplay of two opposites — yin and yang.”

Progress?, detail

Thanks to a $3 million gift from the Avenir Foundation in 2012, the Denver Art Museum has a special department and galleries devoted to textile arts, as well as funding in perpetuity for its staff. Its curator is Dr. Alice Zrebiec, who was named as the Denver Post’s 2013 Top Thinker in the category of Arts and Culture for her work in the transformation and expansion of the department.

Last Thursday, the DAM held a special reception to celebrate the opening of the exhibition, and Dr. Zrebiec did a gallery walkthrough to tell us about the wonderful quilts on display.

The Contemporary Takes pieces are installed in “discovery drawers” in the gallery’s Nancy Lake Benson Thread Studio, a comfortable, inviting interactive area where visitors can learn about many aspects of textile art, have conversations, and see demonstrations. In the photo below, works by Wendy Huhn (near) and Miriam Basart (far). The other artists in this exhibition are Faye Anderson, Sharon Bass, Betsy Cannon, Lynda Faires, Gretchen Hill, the Pixeladies (Kris Sazaki & Deb Cashatt), and Melody Randol.

Here’s mine.

May 31st, 2014|Exhibitions|2 Comments

I am excellent!

the proper means of investigating truth, approx. 40 x 108 inches ©2014 Deidre Adams
found papers, dressmaker’s pattern tissue, thread

Does my post title sound obnoxious? I’m working on getting better at horn-tooting, but there’s a fine line between believing in yourself and beating people over the head with it.

Last October, I wrote about some new work that I started during my residency at the Vermont Studio Center (here). I’ve continued to work on these, and when the call for entries for Form, Not Function came up this year, I decided I was ready to release some of it out into the world. Fortunately, they agreed, and the work was accepted into the show.

Yes, I know you’re supposed to make the work only for yourself and not care what anyone thinks. In fact, that is how I felt when I was making these. But on the other hand, I really don’t want to make my work in a vacuum. And this work is so different for me, and for anyone who’s familiar with my work, that I wasn’t sure how it was going to be received.

So it certainly was a pleasant surprise to be notified that I had received an award at the exhibition — the Award of Excellence in Memory of Textile Artist Alma Lesch, presented by DELvelopment Foundation. I found out from a lovely voice mail message, which also said that the piece had been the subject of a lot of discussion. I can’t imagine anything nicer to hear about one’s work. So yay!

the proper means of investigating truth, detail

May 12th, 2014|Art, Exhibitions|17 Comments

Tarnish – at Visarts, Rockville

Detail of Lesley Riley’s Ten of Cups

Yesterday I got a chance to see “my” show, Tarnish, an exhibition of contemporary textile works made by members of Studio Art Quilt Associates, Inc. (SAQA) who live in Washington, D.C., Maryland, Virginia, West Virginia, and North Carolina. Well, it’s not really my show as such, but I do feel a sense of ownership because I was the juror for it.

After being on the other end of the jurying process many times, I’ve always wanted to have a chance to do it myself. It was somewhat more difficult than I’d imagined, mainly because no matter how good a photograph might be, it is just vastly different from seeing the work in person. This is especially true of textile work, because a flat image doesn’t convey the subtleties of texture and stitch. The problem intensifies as the size of the work increases, although details help, of course.

When I finally got to see the exhibition, I could not have been more pleased. The gallery space is beautiful, and the show has a well-defined flow and spacing. The best thing, though, is the work itself. Each piece is executed with a unique voice and a superb mastery of concept and craftsmanship. I never cease to be amazed at how many ways there are to use the medium of fabric and stitch.

Here are some selected images from the exhibition. After having talked about how hard it is to imagine the real piece from a photo, I have to apologize for the image quality here. These were taken with my phone, but I’m just too excited about the show and they’re are all I have.