Back in the studio

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Untitled, ©2008 Deidre Adams

After a bit of a hiatus, I’m so happy to finally get some time to go back into the studio, as of yesterday. This is a shot of a piece I started a long time ago but haven’t had time to work on. Yesterday I finally sat down and finished the quilting, about a full 8 hours’ worth or more. I don’t do the entire 8 hours in one sitting; that would be a bit excessive. The time is broken up by meals, trips downstairs to do laundry or let the can in/out, and once, to see the latest present she brought us (more about that later).

This is how a piece looks after quilting but before blocking, full of lumps and bumps and wonderful (at least to me) texture. The next step is to throw it in the washer to equalize the stitching, then I’ll pin it up to the design wall to dry and thus flatten it out. I almost wish I could leave it bumpy, but I haven’t become that independent in my art making just yet. I still worry too much about what others think.

I know I’m not the only artist who is conflicted by the dilemma of how best to balance the drive to make art and the drive to avoid being broke. This is partly why I haven’t written a post in a while. I’ve been in a sort of paralyzed, deer-in-the-headlights state trying to figure out what I should do with my life. This is how the inner conversation goes:

Self 1: “You’re an artist. What are you doing wasting time at this job doing stuff that doesn’t really have anything to do with who you are in life when you could be in the studio developing your work? Who knows how many good years you’ve got left?”

Self 2: “That’s just crazy talk. How can you even think of quitting when the future is so uncertain? The economy is tanking — what if you end up homeless? Even in the best of circumstances, you’ll have no money to travel or do anything fun. Besides, it’s really a fantastic job — the people are great to work with, the pay is good, and you have security.”

Self 1: “Well ya know, you’re not getting any younger. If you don’t do something soon, before you know it, you’ll just end up being a tired old lady sitting in a cube, staring at a computer screen, wondering where your life went.”

Self 2: “But we have a 15-year-old who’s going to college in 2 years. It’s become glaringly apparent that he’s not likely to be getting a full-ride scholarship anywhere, so how will we pay for that if you’re unemployed?”

And so on and so forth, round and round. But this past week, Self 1 finally won out. I finally got the courage to tell my supervisor I’m leaving. As soon as the words were out of my mouth, I regretted it. Besides giving up a great job, my supervisor is one of my best friends, and I’ll miss talking with her on an almost-daily basis. But the future is wide open now, so it’s sink or swim!

The self-portrait: Part II

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Self-portrait, 36 x 36, ©2007 Deidre Adams

As mentioned in an earlier post, the self-portrait is a very common assignment for art school studio classes. This is one that I did in Painting II last fall. The direction called for making a “psychological” self-portrait. Despite my tendency to agonize over these things and want to read in more than is really there, I do think this came out pretty good and so I use it as a kind of signature image here on the blog and in other places when needed.

If you’re not super-comfortable with your appearance, it can be rather disconcerting to have to stare at your own face for long periods of time. It does help to do it from a photo rather than a mirror, because after awhile it just becomes shapes and values that you are trying to reproduce in a painting, and you can stop obsessing about the strangeness of it. I was working from a printed version of the image below, which I created by montaging a photo I took with a self-timer together with a photo of the side of a train car & a pencil drawing of a quilting pattern from my sketchbook.

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You can see that I didn’t get the eyes & eyebrows quite right, but I was very absorbed in thinking about the colors and having fun with the brushwork, and I was not too concerned with making a perfect copy.

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This self-portrait shows a big improvement over the one I did in Painting I, which I’m only showing here (left) very tiny because it is so Lame (yes, with a capital “L”).


May 30th, 2008|Painting, School|1 Comment

Now for the next thing …

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Detour, 39 x 39 inches, ©2008 Deidre Adams

Detour is one of my pieces to be included in 12 Voices, a SAQA-sponsored exhibition which will open at the Dennos Museum Center in Traverse City, Michigan, on Sept. 3, and travel for a year afterward. I feel quite honored to be included in this show. Jurying was done by portfolio, and there were 128 entries from around the world. Juror Penny McMorris said, “12 Voices is a welcome departure from the usual survey shows which sample trends. It offers a rare, in-depth look at twelve of the best quilt artists working today.”

I’ve never been very good at the horn-tooting thing, but I’m pretty excited about this show. I’m in some very good company, with fellow artists Teresa Barkley, Elizabeth Busch, Linda Colsh, Judith Content, Angela Moll, Clare Plug, Joan Schulze, Merle Axelrad Serlin, Susan Shie, Ginny Smith, and Kathy Weaver.

School is finally over for the semester, yay! But I still have lots to do before I can fully get my focus back into the studio — I have a couple of big design projects that I need to finish up. But just between you and me, I did sneak a couple of artmaking hours in last Wednesday, the first day after finals. I just had to, for my sanity. That Understanding Visual Language exam was painful!

May 18th, 2008|Art, Exhibitions, School|4 Comments