The Gathering Place

adams-gatheringplace-1

Eunice pauses from her work to pose for a picture.

Wow, it’s August already. The summer is flying by, and I’ve been lax in blogging once again. Well, no sense dwelling on failure, the only thing to do is try to make up for it and go forward.

One thing that was notable for me this summer was my invitation to be a visiting artist at The Gathering Place, a “refuge for rebuilding lives” located in Denver. Their mission statement is “to support women and their children who are experiencing homelessness or poverty by providing a safe daytime refuge and resources for self-sufficiency.”‘

Prior to the artist’s visit, I was invited to take a tour of the facility. I cannot tell you how impressed I am by the scope and methodology of this enterprise. Besides just the very basic things like food, shelter, and clothing, they provide so many things we take for granted: showers, hair cuts, laundry, phones and voice mail, computer/internet access, child care, and just a place to BE. They strive to maintain a community of acceptance, requiring “that everyone at The Gathering Place remains non-judgmental toward each other’s unique circumstances, and demands that everyone show each other mutual respect.” The Gathering Place operates primarily through private funding and donations.

Besides the basic necessities, The Gathering Place also provides a host of additional activities and opportunities: Yoga classes, art classes, computer and writing skills, even GED preparation. One of the art activities is The Card Project, where women can create original handmade notecards which are sold for $2 each through the Gathering Place and through various other distribution channels. The women receive 75% of the proceeds when their cards are sold.

During the month of July, the card project is on hiatus and in its place, various local artists are invited to come in and share their work and “artistic vision and journey as an artist” with the group. I was honored to be asked to participate. In preparing for what I was going to present, I knew that nobody was going to want to listen to me yammering on about myself for any great length, so I decided that it might be fun to create a project for the women to work on.

I have a body of work involving lots and lots of hand-stitching over collaged fabrics and bits of stuff – I’ve never shown it nor posted about it mainly because I don’t know if it’s going anywhere, but I work on it while watching TV or in some kind of a waiting situation. It’s a kind of free-association doodling; I enjoy it immensely and it’s great therapy for me. Anyway, I got the idea that this might be a good jumping off point for a project, so I put together a bunch of little kits with a felt base and collaged elements, with a few stitches started in with different colors of embroidery thread. I also brought a big mishmash of scraps of all kinds of things and more thread.

I thought I was going to need to do some demo about how it should be done, but to my surprise, everyone just took a kit and jumped right in without waiting for me to direct them. Most of the people I know outside of my sewing friends would rather have their teeth drilled than fix a button or a hem or stitch anything at all, so I wasn’t expecting this. But these women were right at home with the whole idea and just took to it like they’d been doing it forever. Not content to just leave it with what I’d started, they happily dove into the scraps and fearlessly made their own compositions.

Top, left to right: Eunice, Ricki, Gloria, and Tracey
Bottom, left to right: Janet, Madaline, and Madaline’s work

My only regret is that the time we spent together was too short. I didn’t get the chance to get to know anyone as much as I would have liked. I hope to have the opportunity to see the finished projects at some point.

My intention to post about this in a more timely fashion didn’t materialize due to other stuff getting in the way (as usual), but yesterday I received a reminder about it — a beautiful thank-you card from the group. This card was done by Eunice, who loves quilts.

August 7th, 2010|Miscellaneous|Comments Off on The Gathering Place

On a more positive note …

Composition XII, 18 x 18 inches, ©2010 Deidre Adams

One of the most important things we learn in studying design is that a balance between unity and variety can greatly enhance a composition. I find this applies to pretty much everything in my life – artwork process as well as daily routine. I’ve always been the kind of person who can’t stand doing the same thing the same way for extended periods of time, and a shakeup in routine is guaranteed to help me feel energized.

After concentrating exclusively on paintings for the last several months, it was good to have a reason to focus on textiles once again. A call for entry to Small Works, a juried exhibition for members of the Colorado, Utah, and Wyoming region of SAQA, was an opportunity for me to develop 3 small pieces, all 18 inches square. After focusing on much larger pieces for a couple of years, I found I really enjoyed working at this size. It involves a different set of challenges, the most pressing of which is trying to avoid associations with potholders and placemats.

I was pleased to receive notice that Composition XII (above) was accepted into the exhibition. Along with work by 12 other artists, it will be on view at the Aurora (Colo.) Municipal Court from July 16 – Dec. 17, 2010.

New gallery representation

Also along the lines of variety in life, I spent last week in Door County, Wisconsin, visiting family and exploring the local landmarks and art galleries. On Thursday, I gave an artist’s talk for the Trillium Quilt Guild. I had several of pieces of my textile artwork with me for the talk, and afterwards, while driving back to my aunt’s home, we stopped in a few galleries along the way. In one of them, my aunt discovered a long-lost friend of hers, now the owner of the gallery. To make a long story short, I now have a new gallery representing my work: The Paint Box Gallery in Ephraim, Wisconsin, where these 3 works are now available.

Composition X, 18 x 18 inches, ©2010 Deidre Adams

Composition XI, 18 x 18 inches, ©2010 Deidre Adams

Horizon XVII, 16 x 16 inches, ©2010 Deidre Adams
July 1st, 2010|Exhibitions|2 Comments

Joan Schulze: Famous activist of art

Joan at SFMOMA. Photo by Deidre Adams.

Last week, I had the great privilege to spend several days visiting my friend Joan Schulze. Joan is an internationally recognized artist known primarily for her quilts, but she also works extensively with paper, making collages and artists books, and she is an accomplished poet. Her work has just been featured in a 40-year retrospective called Poetic License: The Art of Joan Schulze, on view at the San Jose Museum of Quilts & Textiles through May 9.

Joan Schulze with The Angel Equation, ©1994, 56 x 57 inches.
Silk, paper, cotton, and transparent overlays.
Photo by Deidre Adams.

Joan’s long and illustrious career in the arts began with embroidery in the early 1970s and quickly expanded to quilts. She has always been an innovator and was an early pioneer in using techniques that art quilters take for granted today. Over the course of the last 40 years, she has made over 1800 quilts and collages, exhibiting a phenomenal dedication and never-ending passion to her work that serves as a true inspiration to artists working in any medium. Her artwork and her poetry enjoy a symbiotic relationship, as each is nurtured by the other. As she says, “Writing poetry is as necessary as stitching cloth.”¹

Joan’s work is known around the world, and in addition to exhibiting and teaching in many countries, she has developed strong ties with artists and teachers in China through her affiliation with the Beijing International Tapestry Exhibitions and Tsinghua University. As she does not have an official academic title, the Chinese bestowed upon her their own title: “Famous Activist of Art.” They’ve since expanded it, but I think this one is succinct and says it best.

My first introduction to Joan’s work came through a marvelously beautiful book which arrived at the offices of Quilter’s Newsletter Magazine one day while I was working there as a graphic artist. Titled The Art of Joan Schulze, it was an eye-opening experience for me, containing very large and detailed photographs of her work, along with essays and anecdotes by other artists, and a selection of Joan’s poems. At that time, I was beginning to understand how quilts could be art, but this book transcended anything I had encountered before.

In 2008, I was fortunate to be able to meet Joan in person when she and I and Teresa Barkley shared a hotel suite in Traverse City, Michigan, while we were all there for the opening of the 12 Voices exhibition. Joan and I found we enjoyed a lot of the same things: good food and wine, going to art galleries, taking pictures at the abandoned Traverse City State Hospital (a.k.a. the Northern Michigan Asylum), exploring the nearby roads and towns, shopping at second-hand stores, and admiring stones on the beach — whether on the shores of Lake Michigan or the Pacific coast, as on this recent trip. Knocking about with Joan is an educational experience, as she has a unique perspective and looks at everything in a careful, considered way, seeing what others miss.

I was so excited to have this opportunity to visit her in her own world. We did so much in just a few short days, it’s hard to know where to begin. It was complete art immersion, beginning with Joan’s beautiful house and her extensive art collection, then visits to museums and Joan’s studio in San Francisco, and topped off by a visit to her retrospective at the gallery. On Wednesday, Joan gave an artist’s talk for members of the SAQA Northern California-Nevada region. She talked about the stories and inspiration for each quilt in the exhibition, as well as reading correlated selections from her own poetry.

I won’t attempt to describe the exhibition, but if you’d like to know more, you can read a descriptive and thoughtful review by artist Liz Hager on the Venetian Red blog. Joan also speaks about her life in the arts in this article from the San Jose Mercury News. I also highly recommend a visit to her web site for many luscious images and more information.

Poetic License: The Art of Joan Schulze is accompanied by another beautiful book (to call it a catalog would understate its presence) with photographs of quilts in the exhibition plus many more, and essays by Deborah Corsini, Sarah E. Tucker, and Peter Frank. It’s available on Joan’s web site.

¹The Art of Joan Schulze, 28.