About Deidre Adams

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So far Deidre Adams has created 258 blog entries.

So-Called Vital Activity

Deidre Adams - So-Called Vital Activity
So-Called Vital Activity, 24 x 24 inches, acrylic and mixed media on panel, ©2011 Deidre Adams

One of the dilemmas faced by artists is the multitude of available ways in which we might wish to express ourselves. Am I a fiber/textile artist? Am I a painter? Photographer? Printmaker? It’s so vexing to have to choose. But it’s so wonderful to have choices. Right now I have three textile pieces pinned up on my wall that I’ve been working on in rotation for many months. One of them is a very large piece that I entered into Quilt National. I was, frankly, relieved when it wasn’t selected for the show, because I have had that experience – enter multiple pieces, and the jurors will pass over your fabulous masterpiece and select the one you thought was the weakest and just included so you could have a body of work to submit. Since the work in question was rejected, I’ve changed it substantially several times. But it’s just not working for me, and I haven’t figured out what to do yet.

So in the meantime, I’m having a blast just painting. There is a lot of new work to show, and I’ll be posting new paintings on a regular basis for a while. Does this mean I’m not going to do textiles any more? In the short term, quite possibly. But since I seem to crave variety, I’m sure I’ll go back to it when my current love affair for squishy, swirly, drippy paint on a smooth, resistant surface subsides.
Deidre Adams - So-Called Vital Activity (detail)

So-Called Vital Activity (detail), ©2011 Deidre Adams
February 16th, 2011|Painting|2 Comments

Nancy G. Cook – Seed Play

Echoes of Tulips Summer, 36 x 36 inches, ©Nancy G. Cook

Nancy Cook is a North Carolina artist whose work I first became aware of a couple of years ago when I saw her piece in the SAQA 20th Anniversary Trunk Show. Titled Ankle Twister II (photo here), it was a tiny gem of a quilt that captured my attention in a big way. Nancy has been working with the quilt medium for 16 years, but she has really found a unique voice with her Seed Play series. She invites us to take a closer look at the exquisite details of seeds, pods, and fruits, whose subtler color is often overlooked in favor of the plant’s showier flower, but whose form is just as interesting if not more so. Nancy’s reverence for nature is evident in her lively composition, ethereal colors, and mesmerizing quilting lines.

Echoes of Tulips Summerdetail

The focal point of this quilt is the seed pod of the Tulip Poplar. Nancy says,

[It] shatters as the birds feed upon it. It will also hold some of the seeds from one year to the next. So you can find buds, flowers, this year’s seed pods, and last year’s seed pods on the tree all at the same time. The little seed stitches on the spike of the pod are where seeds have already fallen off the pod.”

Nancy left her career in organizational development and psychology to become a full-time artist in 2001. With more time to concentrate on her work, she was able to focus on her love of the outdoors in combination with her art. She says,

“I find the interconnected web of life to be endlessly fascinating, and I like working with one small piece of it to unravel some of the wonders. Recently, I have been working on a series that features tree seeds as symbols of the gifts that come with life’s maturity. I learned that my work was autobiographical when I noticed that I was creating autumnal images at the same time that I was aware that I came to my art in the autumn of my life. Fortunately, it seems to be a Southern autumn that is prolonged.”

Kousa: A New Dogwood in Town, 36 x 36 inches, ©Nancy G. Cook

Nancy’s heightened awareness of issues concerning nature and trees is a frequent source of inspiration for her work. Kousa: A New Dogwood in Town was inspired by the passing of one species in decline while another takes its place. She says, “Our native dogwood is succumbing to a viral infection across the country. In its place, the Asian Kousa Dogwood is being grown as it is resistant to the infection.”


Mockingbird’s Larder36 x 36 inches, ©Nancy G. Cook

“Mockingbird’s Larder is a deciduous holly. The Mockingbird carefully guards a food tree like this throughout the winter until either the Cedar Waxwings or the Robins descend in large numbers and strip off the berries and move on.”

Mockingbird’s Larderdetail

There are several things about this piece that I find intriguing. First, I love the way the darker areas of the hand-dyed background fabric echo the character of the tree branches, bringing a strong unity to the work. Second, Nancy has added depth and dimension by using hand embroidery to create the finishing details. And finally, in an unexpected and lovely master stroke, she has engaged the viewer by leaving some of the berry shapes unpainted, indicated only by quilting lines.

Nancy’s career is really taking off this year. She will have no fewer than three solo exhibitions and a featured artist exhibit in botanical garden and art center galleries over the next 12 months. She has also been selected as a featured artist in  Art Quilt Portfolio: The Natural World by Martha Sielman, to be published in 2012.

You can learn more about Nancy and see more of her work on her web site, and keep up with her work and exhibitions on her blog.

February 9th, 2011|Interesting Artists|Comments Off on Nancy G. Cook – Seed Play

Overcoming attachment

Deidre Adams-Organic CompoundOrganic Compound, 24 x 24 inches, acrylic on panel, ©2010 Deidre Adams

I’m finally calling this painting done. Not that I haven’t already done that – twice – but I kept thinking it needed something more. I went to a meeting of artist friends on Friday night, and the next day, while thinking about a conversation we had with the hostess while considering a painting in her studio, I was inspired to attack my own painting one more time.

My friend had made her painting over the course of a 15-week class in which the students worked on the same painting in each session of the class. I had seen my friend’s painting once before in a much earlier stage, and I was really surprised at how much it had changed by the end – I wouldn’t even have recognized it as the same painting. The final painting was fantastic, but I’d also thought the same thing about the earlier version. I asked her if it had been difficult to paint over parts of the painting that were really working. She talked about how it was part of the process to let go of attachments and learn to forge ahead without fear.

Deidre Adams - Organic Compound-detailOrganic Compound, detail

The notion of attachment really resonated with me, as I do have a tendency to fall in love with certain passages in a painting, and then the fear of messing with those keeps me from giving the painting what it needs. The image below shows the last documented state of Organic Compound before the above. I was really happy with the colors and textures, but the composition was just a little too “overall” for me and I felt it needed some punch. So my solution yesterday was to add the darker blue values in the upper right corner, plus the very detailed turquoise markings. In the process, I lost some really nice color and detail in that upper right area, but in my opinion the resulting composition is a lot stronger now.


Organic Compound in progress II

Prior to that, the painting had a very different look. Below you will see how it looked for several months. I was really indecisive about where to go with it, so I just decided to make a drastic change and see where that would lead. I flooded the whole thing with warm reds and oranges, which settled very nicely into the texture and made a more cohesive result. It also changed the balance, so I rotated it one turn. (Topic for future discussion: Those who say you must be decisive in choosing the orientation vs. those who say it’s subject to change.)

Some of you may not agree that what I did was an improvement. Of course it’s my work so I have final say, but I am curious to know what you think.

Organic Compound in progress I
January 30th, 2011|Painting, Process|11 Comments