I finished several paintings a couple of months ago, but because of one thing and another, I’m behind in posting them. Here is Lost and Found, done in a more impasto style than I usually use. I had a jar of silver paint that was drying up, and the process of trying to use it became very physical as I had to fight with it. I found that rather enjoyable, as the physical struggle became an outlet for some emotions. I let myself be a little looser with things I might normally try to smooth out. I’m liking the end result as well.
I have been a bit remiss in failing to post the news that I was profiled in this fabulous book by Martha Sielman, executive director of Studio Art Quilt Associates, Inc. The book came out late last year and includes the work of more than 100 fantastic artists among whom I am proud to be included.
From the the publisher’s blurb:
These engaging works of art represent a range of styles across the abstract art spectrum. 300 gorgeous art quilts, bursting with color and excitement, capture the work of 124 major quilt artists from 18 countries. In-depth interviews with 29 of the artists help us understand their inspirations, their techniques, and their challenges. Learn about how Denyse Schmidt makes her color choices. Find out how Fumiko Nakayama first discovered the mola techniques for which she is famous. Discover why Sue Benner is drawn to plaids and why Deidre Adams likes old books. Participating artists come from Australia, Canada, France, Germany, Israel, Italy, Japan, Latvia, Netherlands, Northern Ireland, Russia, South Africa, Spain, Sweden, Taiwan, the UK, and across the US.
Size: 8 1/2″ x 11″ | 305 color images | 224 pp
ISBN13: 9780764352201 | Binding: soft cover
The book is available now from the SAQA store.
Untitled, 60 x 18 inches. Reclaimed cotton and polyester sheets, found papers, thread, ink, acrylic paint.
A short post today to show some recent work. I’m inspired by my collection of materials from various library and other used book sales. I’m also trying to use up old things I’ve had in my fabric stash and in the house generally that would not be of value to anyone. I brought out some old sheets from the closet and tore them into strips. They’re very soft and worn, and they take paint beautifully. The tearing process leaves lots of loose threads, and I’m loving those, too.
I’ve been thinking about how to combine fabric and paper for quite awhile now. My process for this particular work started out spontaneously; just taking all these things on the table and starting to put them together, then follow where it leads. I’m thoroughly enjoying working with a collage process and limited palette. I have no specific end in mind whatsoever, and that’s always fun. I like to follow the unknown road.
A lot of the paper came from this Japanese book (I think it’s a novel but would appreciate any further insight):
Here are some detail shots: